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The first time I saw this movie, I was struck mostly by how remarkable fun it was to look. There is an offbeat, good-natured humour that softens the harshness of some of the settings and situations. (Powerful of the music is beautiful–it’s by Robbie Robertson but he’s not mentioned for it in the credits.) The account line is well-developed, with splendid transitions between two converging sub-plots. The basic dwelling is quite simple: two friends, Philbert Bono (Gary Farmer) and Buddy RedBow (A Martinez) grasp off on a road slump from a Montana Indian reservation to Original Mexico in order to fetch RedBow’s sister out of jail. Along the intention they accomplish a friendship, despite differences in personality and ways of looking at life.
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Upon the second viewing, it became sure to me that powerful of what divides them in the beginning has to do with different styles of being or becoming a “warrior.” Redbow is a Vietnam vet, as well as an activist who had been prove at the Wounded Knee conflict. He has a lot of nettle about the depredations of white people as well as, I suspect, his Vietnam experience. His understanding of carrying out a campaign has to do with fighting, guns, and discharging rage.
Philbert Bono, on the other hand, has never seen any combat action. He’s a unruffled sort and regarded by others as an overweight buffoon. However, he’s on a spiritual quest to rep power and become a spiritual warrior. His view of carrying out a campaign has to do with getting the universal forces on his side.
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By the ruin of the film the two men have worked out a strong friendship and respectful working relationship, but it is clearly Philbert’s near to warriorship which carries more weight in the final victory. The movie does have a few site flaws, but they are insignificant compared to the interest evoked by Philbert Bono’s scurry, which is one of inner seeking combined with action in the outer world.
This deceptively simple “road buddy” film was first introduced to me in 1991 when I was researching Native American culture for my 2 children so they would better understand their heritage. What a feast for the eyes,ears and spirit! The procure,some of it by Robbie Robertson (U2) is a wonderfully effective backdrop that carries us into the world of one Native American’s recent vision quest. One scene that comes to mind is when the gentle Cheyenne named Philbert Bono (Gary Farmer) surveys a faded junk yard tubby of wrecked cars, but sees instead a herd of wild ponies galloping on the listless. His choice of a “pony” is a broken down Buick,yet to him it’s as gracious as any horse that ever ran. And so it goes. A. Martinez is facinating as Buddy RedBow, Philbert’s activist friend who joins him on the road. The film weaves together humor and pathos,fantasy and realism for a account that entertains while it touches the spirit and makes one feel,at least for a diminutive while, as if life could indeed be as Philbert sees it; and wouldn’t that be a amazing,magical thing! I have not seen this film since 1992 and belief I might never again. That Pow Wow Highway is available now is a dream near upright. I cannot recommend it highly enough!
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